Solo compositions (arrangements and transcriptions at the bottom of the page)
[Sketches in Noir] is a great addition to solo concert vibraphone repertoire."- September 2010 Percussive Notes review
MIZMOR (2021) for four-octave vibraphone. Self published.
Almost a Chaconne for snare drum (2020). Published in Rhythm! Scene magazine, February 2020 issue.
Sechs Löschungen auf Bach, 2020:20 [After Cage] (2020) for any pitched instruments. Self published.
Press: Etude for vibraphone (two mallets) (2019) for vibraphone. Published in Rhythm! Scene magazine, April 2019 issue.
Martian Postcard (2018) for rudimental snare drum. Published in Rhythm! Scene magazine, August 2018 issue.
Zeitgeistspiel __/__/____ (2017) for multiple percussion and spoken text. Published in Allen Otte: Folio.
Microtude for clay pot, tin can, and resonant/sustaining sound of choice (2016). Published in Rhythm! Scene magazine, December 2016 issue.
Spring snoitairaV (2016) for glockenspiel. Self published.
Summer Carillon (2015) for vibraphone. Self published.
Winter Meditation (2015) for vibraphone. Self published.
135°W-155°W by 35°N-42°N° (2013) for multiple percussion. Self published. VIDEO TO THE LEFT
The Four Sons (2013) for multiple percussion. Self published.
From Nothing, Everything (2011, rev. 2016) for vibraphone. Self published.
The Earth Laughs in Flowers (2011) for harp. Written for Alaina Graiser. Distributed through Frontier Percussion.
True North Rhapsody (2009) for 5.0 octave marimba. Distributed through Frontier Percussion. The more challenging True North Rhapsody: Director's Cut is also available. Written for Etienne Levesque.
Thundercaller (2009) for multiple percussion (clickhere for video). Self published. VIDEO TO THE LEFT
The Still, Small Voice is Heard (2009, revised 2013) for multiple percussion. Written for Michelle Colton. Distributed through Frontier Percussion.
Minuet and Trio No. 1 for the Young Pianist (2005) for piano. Self published.
Novillero (2005) four-mallet etude for marimba. Self published.
Percussion ensemble
Anodisation (2021) for percussion ensemble. Written for the University Percussion Ensemble at Sam Houston State University. Self published. VIDEO TO THE LEFT.
Miriamic Canons (2017) for tambourine quartet. Written for the Sam Houston Percussion Group. Self published. VIDEO TO THE LEFT.
Tamborondó (2016) for snare drum quintet. Written for the PAS-Panamá Summer Percussion Ensemble. Self published.
Uno per Franco (2014) for percussion sextet. Written for the CCM Percussion Ensemble. Self published.
Törlés: on a theme by Bartók (2013) for percussion trio sharing a 5.0 marimba and 4.3 marimba, bows required. Self published.
2x2x2 in 7 for 4 (2010) for percussion quartet with power tools and construction materials. Written for the University of Toronto Percussion Ensemble. Self published.
Blues Perpetuo (2008) for percussion quartet. Written for the TorQ Percussion Quartet. Self published.
Wishing Well (2008) for solo timpani, 2 percussion, and electronic accompaniment. Written for the University of Georgia Percussion Ensemble. Self published.
The Nightmare Machine (2007) for solo marimba and 2 percussion. Self published.
Chamber/VOCal
4 Prisms [After Brown] (2019) for harps and percussion. Written for the 2019 American Harp Society Summer Institute. Self published.
The Drink (2018) for mezzo-soprano and harp. Written for the 2018 New American Voices Festival, based on "The Drink" by poet Ron Padgett, from You Never Know. Self published.
We Measure in Victims (2016) for harp and percussion duo. Written for REFLECT harp+percussion. Self published.
Orbit (2014), for percussion and piano. Written for Classical Revolution Cincinnati. Self published.
Character Suite (2014), for piano trio. Self published. VIDEO TO THE LEFT
Waves are Mountains, Mountains are Waves (2012) for 8 players. Self published. A MIDI recording can be heard here.
A Prayer from the Sound Booth (2010) for harp and bass drum. Written for Michelle Hwu and Angela Schwarzkopf. Distributed through Frontier Percussion.
Fanfare No. 1 (2008) for brass quintet. Self published.
Desert Rhapsody (2008) for 9 players. Self published.
The People Sitting in This Room Right Now (2008) for classical guitar and tenor saxophone. Self published.
Woodwind Trio No. 1 (2006) for flute, clarinet, and bassoon. Self published.
The Bells (2005) for baritone voice and piano, with text from a draft by Edgar Allen Poe.
Concerto/orchestra/wind ensemble
Concerto No. 2 [MIZMOR] for four-octave vibraphone (2021), premiered by the composer and the University Percussion Ensemble at Sam Houston State University, October 2021, Colin Peters conducting. Self published. VIDEO TO THE LEFT (the concluding piece in "CENTURY Part II").
Concerto No. 1 [Lulu] for four-octave vibraphone (2015), premiered by the composer at the Cincinnati college-Conservatory of Music, May 2015, Kyle Lamb conducting. Publication from Media Press, Inc. coming soon.
Concerto No. 1 [Toronto] for percussion quartet and wind ensemble (2013-2014), commissioned and premiered by the TorQ Percussion Quartet and the Toronto Youth Wind Ensemble, Colin Clark conducting. Self published. VIDEO TO THE LEFT.
Promethean Concertino No. 1 for percussion quartet and orchestra (2012), commissioned and premiered by the TorQ Percussion Quartet and the Toronto Symphony Youth Orchestra, Alain Trudel conducting. Self published.
Arrangements and transcriptions
Adagio for glass harmonica (Mozart, arr. 2021) for vibraphone quartet. Written for the University Percussion Ensemble at Sam Houston State University. Self published.
Selections from Petrushka (Stravinsky, arr. 2020) for percussion ensemble. Written for the University Percussion Ensemble at Sam Houston State University. Self published.
Parade (Ballet réaliste) (Satie, arr. 2017) for percussion ensemble. Written for the University Percussion Ensemble at Sam Houston State University. Self published.
Impromptu for harp (Fauré, arr. 2013) for 4.0 octave vibraphone. Self published. VIDEO TO THE LEFT
Le Tombeau de Couperin mvt. VI, Toccata (Ravel, arr. 2010) for 4.0 octave vibraphone. Distributed through Frontier Percussion.
La Cathedrale Engloutie (The Sunken Cathedral) (Debussy, arr. 2009, rev. 2021) for 4.0 octave vibraphone.Also possible on marimba. Published through Smith Publications in their "Vibraphone Century" collection. VIDEO TO THE LEFT